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Combining Maurice Merleau-Ponty's 1960 course notes on Edmund Husserl's The Origin of Geometry , his course summary, related texts, and critical essays, this collection offers a unique and welcome glimpse into both Merleau-Ponty's nuanced read
'In simple prose Merleau-Ponty touches on his principle themes. He speaks about the body and the world, the coexistence of space and things, the unfortunate optimism of science and also the insidious stickiness of honey, and the mystery of anger.'
Challenging and rewarding in equal measure, Phenomenology of Perception is Merleau-Ponty's most famous work. Impressive in both scope and imagination, it uses the example of perception to return the body to the forefront of philosophy for the first ti
Speech is a way of tearing out a meaning from an undivided whole." Thus does Maurice Merleau-Ponty describe speech in this collection of his important writings on the philosophy of expression, composed during the last decade of his life. For him, exp
The Visible and the Invisible contains the unfinished manuscript and working notes of the book Merleau-Ponty was writing when he died. The text is devoted to a critical examination of Kantian, Husserlian, Bergsonian, and Sartrean method, followed by the e
"Kroppens fænomenologi" er 2. udgave af første del af 'Perceptionens fænomenologi' med Merleau-Pontys egen vigtige indledning om, hvad fænomenologi egentlig er en skærpet synsvinkel på væsentlige fænomener som fx sansning og krop. Den f
Die in diesem Band versammelten Arbeiten des französischen Phänomenologen Maurice Merleau-Ponty (1908-1961) führen nicht nur auf vorzügliche Weise in dessen Philosophie ein, sie dokumentieren darüber hinaus auch die Entwicklung neu einsetzender Reflexione
First published in 1945, Maurice Merleau-Ponty's monumental Phenomenologie de la perception signalled the arrival of a major new philosophical and intellectual voice in post-war Europe. Breaking with the prevailing picture of existentialism and phenom
Raymond Aron called Merleau-Ponty "the most influential French philosopher of his generation." First published in France in 1947, Humanism and Terror was in part a response to Arthur Koestler's Darkness at Noon , and in a larger sense a cont