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This work takes the form of a conversation, an interview. An obsessive questioning back and forth builds up Blanchot's narrative, with its sense--shared with Kafka's famous doorkeeper parable--that behind each question lies the spooky possibility
Maurice Blanchot (19072003) var en fransk forfatter, filosof og litteraturteoretiker. I modsætning til de franske postmoderne intellektuelle men til gengæld ligesom Camus, de Beauvoir og Sartre skriver han både teoretiske tekster og skønlitteratur. Hans
Maurice Blanchot : Dagens vanvid & Mit dødsøjeblik oversættelse og efterskrift Mikkel Thykier Normalpris Udsolgt Inklusive moms. Levering bliver beregnet ved kassen MAURICE BLANCHOT, 1907-2003I Danmark er Blanchot meget lidt læst og først og fremmest ken
In Lautréamont and Sade , originally published in 1949, Maurice Blanchot forcefully distinguishes his critical project from the major intellectual currents of his day, surrealism and existentialism. Today, Lautréamont and Sade, these unique figures in the
Modern history is haunted by the disasters of the centuryworld wars, concentration camps, Hiroshima, and the Holocaustgrief, anger, terror, and loss beyond words, but still close, still impending. How can we write or think about disaster when by its very
Maurice Blanchot, the eminent literary and cultural critic, has had a vast influence on contemporary French writersamong them Jean Paul Sartre and Jacques Derrida. From the 1930s through the present day, his writings have been shaping the international li
Since the middle of the twentieth century, Maurice Blanchot has been an extraordinarily influential figure on the French literary and cultural scene. He is arguably the key figure after Sartre in exploring the relation between literature and philosophy. B
In this landmark volume, Blanchot sustains a dialogue with a number of thinkers whose contributions have marked turning points in the history of Western thought and have influenced virtually all the themes that inflect the contemporary literary and philos
The world of Aminadab, Maurice Blanchot's second novel, is dark, bizarre, and fantastic. Reminiscent of Kafka's enclosed and allegorical spaces, Aminadab is both a reconstruction and a deconstruction of power, authority, and hierarchy. The novel o
"Another of Blanchot's almost-fictions ...throwing into deliciously baffling high relief the enigmatic condition of a man and woman alone in a sparsely furnished hotel room who try to remember what has happened to bring them there as they apprehe