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'I am beginning to realize that taking the self out of our essays is a form of repression. Taking the self out feels like obeying a gag order - pretending an objectivity where there is nothing objective about the experience of confronting and engaging
A fragmented, lyrical essay on memory, identity, mourning, and the mother. Writing is how I attempt to repair myself, stitching back former selves, sentences. When I am brave enough I am never brave enough I unravel the tapestry of my life, my childhood.
To Write As If Already Dead circles around Kate Zambrenos failed attempts to write a study of Hervé Guiberts To the Friend Who Did Not Save My Life . In this diaristic, transgressive work, the first in a cycle written in the years preceding his death, Gui
With the fierce emotional and intellectual power of such classics as Jean Rhys's Good Morning, Midnight, Sylvia Plath's The Bell Jar, and Clarice Lispector's The Hour of the Star, Kate Zambreno's novel Green Girl is a provocative, sharply
A manifesto reclaiming the wives and mistresses of literary modernism that inspired a generation of writers and scholars, reissued after more than a decade. I am beginning to realize that taking the self out of our essays is a form of repression. Taking t
From "one of our most formally ambitious writers" (Esquire), a moving account of art and caretaking in our precarious present. The Light Room takes place over the course of cloistered seasons, between the rooms of an apartment and a city's g
"Kate Zambreno has invented a new form. It is a kind of absolute present, real life captured in closeup." --Annie Ernaux, winner of the Nobel Prize in Literature From "one of our most formally ambitious writers" ( Esquire ), a moving a