"Unlike Freud, I do not claim that religion is just an illusion and a source of neurosis. The time has come to recognize, without being afraid of 'frightening' either the faithful or the agnostics, that the history of Christianity prepared th
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"Unlike Freud, I do not claim that religion is just an illusion and a source of neurosis. The time has come to recognize, without being afraid of 'frightening' either the faithful or the agnostics, that the history of Christianity prepared th
Julia Kristeva presents a thoroughly original and compelling reading of Prousts Remembrance of Things Past , first delivered at the 1992 T.S. Eliot Memorial Lectures at Canterbury. Kristeva's first essay, Proust and Time Embodied, takes a broadly psyc
Wolves have invaded the seaside resort town of Santa Varvara, a fictional postindustrial city in Eastern Europe, killing thousands of people, but no one will speak of it except a Latin professor known as the Old Man. Part detective story, part fable, this
Julia Kristeva refracts the impulse to hate (and our attempts to subvert, sublimate, and otherwise process it) through psychoanalysis and text, exploring worlds, women, religion, portraits, and the act of writing. Her inquiry spans themes, topics, and fig
This sequel to Julia Kristevas celebrated allegory The Old Man and the Wolves returns to the corrupt seaside resort of a mythical town, where the boundaries between East and West, civilization and barbarism, and good and evil are erased. Part mystery, par
In Revolution in Poetic Language , Julia Kristeva explicates her foundational distinction between the semiotic and the symbolic and explores their interrelationships. Linking the psychosomatic to the literary and the literary to a larger political horizon
In this volume, based on the series of Alexander Lectures she delivered at the University of Toronto, Julia Kristeva explores the philosophical aspects of Hannah Arendt's work: her understanding of such concepts as language, self, body, political spac
Desire in Language presents a selection of Julia Kristevas essays that trace the path of an investigation, extending over a period of ten years, into the semiotics of literature and the arts. Probing beyond the claims of Sigmund Freud, Jacques Lacan, and
In Powers of Horror , Julia Kristeva offers an extensive and profound consideration of the nature of abjection. Drawing on Freud and Lacan, she analyzes the nature of attitudes toward repulsive subjects and examines the function of these topics in the wri
Julia Kristeva refracts the impulse to hate (and our attempts to subvert, sublimate, and otherwise process it) through psychoanalysis and text, exploring worlds, women, religion, portraits, and the act of writing. Her inquiry spans themes, topics, and fig
Twenty-five years after her death, we are still coming to terms with the controversial figure of Hannah Arendt. Interlacing the life and work of this seminal twentieth-century philosopher, Julia Kristeva provides us with an elegant, sophisticated biograph
Julia Kristeva examines melancholia across art, literature, philosophy, the history of religion and culture, and psychoanalysis. She describes the depressive as one who perceives the sense of self as a crucial pursuit and a nearly unattainable goal and ex
Her analysis deals with the role of narcissism and idealization in the formation of a love object. She accounts for the role of the death drive by coining the term "love/hate."
To the renowned psychoanalyst, philosopher, and linguist Julia Kristeva, Melanie Klein (1882-1960) was the most original innovator, male or female, in the psychoanalytic arena. Klein pioneered psychoanalytic practice with children and made major contribut
Powers of Horror is an excellent introduction to an aspect of contemporary French literature which has been allowed to become somewhat neglected in the current emphasis on para-philosophical modes of discourse."