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Instead of treating art as a unique creation that requires reason and refined taste to appreciate, Elizabeth Grosz argues that art-especially architecture, music, and painting-is born from the disruptive forces of sexual selection. She approaches art as a
"The location of the author's investigations, the body itself rather than the sphere of subjective representations of self and of function in cultures, is wholly new. . . . I believe this work will be a landmark in future feminist thinking."
In Becoming Undone , Elizabeth Grosz addresses three related concepts-life, politics, and art-by exploring the implications of Charles Darwins account of the evolution of species. Challenging characterizations of Darwins work as a form of genetic determin