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The reception of art and performance is changing. Smartphones and social media have troubled the old model of individual appreciation and close looking, giving rise to new forms of mediated perception, such as sampling, skimming and scrolling. Charting re
The award-winning, highly acclaimed Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as "social practice." In recent decades, the art gallery and the museum have become a pl
How technology and the politics of attention changed the way we look at art The ways we encounter contemporary art and performance has changed. How are we expectedto engage with today's diverse practice? Is the old model of close-looking still the ide