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When Brian Dillon was sixteen his mother died and he simply gave up all schoolwork. While he courted exam failure, his real education was going on elsewhere: with books, music, films and television. When at last he made it to university, his head was alre
Imagine a type of writing so hard to define its very name means a trial, effort or attempt. An ancient form with an eye on the future, a genre poised between tradition and experiment. The essay wants above all to wander, but also to arrive at symmetry and
In Suppose a Sentence , Brian Dillon turns his attention to the oblique and complex pleasures of the sentence. A series of essays prompted by a single sentence from Shakespeare to Gertrude Stein, John Ruskin to Joan Didion the book explores style, voice,
What do we mean when we claim affinity with an object or picture, or say affinities exist between such things? Affinities is a critical and personal study of a sensation that is not exactly taste, desire, or allyship, but has aspects of all. Approaching t
'It's so good that, after reading it, I needed a lie-down' - Hilary Mantel, Guardian Books of the Year Brian Dillon looks at nine prominent hypochondriacs - James Boswell, Charlotte Brontë, Charles Darwin, Florence Nightingale, Daniel Paul Sch
A compelling ode to the essay form and the great essaysists themselves, from Montaigne to Woolf to Sontag. Essayism is a book about essays and essayists, a study of melancholy and depression, a love letter to belle-lettrists, and an account of the indispe
A meditation on the power and pleasures of the image, from paintings to photographs to migraine auras, by one of Britain's finest literary minds. In Affinities , Brian Dillon, who Joyce Carol Oates has said writes "fascinating prose . . . on virt