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WINNER OF THE WOMEN'S PRIZE FOR FICTION 'Reads like a brilliant miniseries... Has the narrative intensity of Jonathan Franzen's The Corrections and the emotional punch of Siri Hustvedt's What I Loved' Observer Harold Silver has spent a
For Claire Roth, an established psychotherapist with an adoring husband and children, her new patient - Jody Goodman, a witty and attractive young filmmaker - is a welcome diversion from her predictable life. Jody, successful, yet uncertain, is disarmed b
THE END OF ALICE treads the wafer-thin line between the evil and the everyday, following the correspondence of two paedophiles. One, the narrator, is a child-killer, serving his twenty-third year in prison. The other, his seemingly sweet admirer, is a nin
WINNER OF THE WOMEN'S PRIZE FOR FICTION 'Reads like a brilliant miniseries ... has the narrative intensity of Jonathan Franzen's The Corrections and the emotional punch of Siri Hustvedt's What I Loved.' Observer Harold Silver has spent
From the 2013 Orange Prize-winning author of May We Be Forgiven . Only a work of such searing, meticulously controlled brilliance could provoke such a wide range of visceral responses. Here is the incredible story of an imprisoned pedophile who is drawn i